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Fear Itself

Audiobook
1 of 1 copy available
1 of 1 copy available
Written with the voice and vision that have made Mosley one of the most entertaining writers in America, "Fear Itself" marks the return of a master at the top of his form.
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    • AudioFile Magazine
      FEAR ITSELF, Walter Mosley's latest Fearless Jones mystery, is terrific, and Don Cheadle's narration is low- key, yet it meshes beautifully with the novel. The book is set in Los Angeles in the 1950s, with bookseller Paris Minton suddenly thrust into the middle of a murder investigation that turns into much more. Cheadle, who has a wonderful voice, seems to relish the plot twists and extensive dialogue. He particularly seems to enjoy Minton's difficulty knowing whom to trust and, more importantly, whom to fear. Don Cheadle is an often underrated actor, but there's nothing underrated about this reading. FEAR ITSELF's only flaw is its ending, but that shouldn't deter fans of Mosley and Cheadle, who will not be disappointed by this collaboration. D.J.S. 2004 Audie Award Finalist (c) AudioFile 2003, Portland, Maine
    • Publisher's Weekly

      June 16, 2003
      In this eagerly anticipated follow-up to Fearless Jones
      (2001), Watts bookstore owner Paris Minton and the dangerous but principled Fearless Jones tread the familiar territory mapped so successfully by Mosley's original detecting duo, Easy Rawlins and Raymond "Mouse" Alexander. The author depicts 1950s Los Angeles with his usual unerring accuracy, but a somewhat different dynamic drives his heroes. When Fearless drags the reluctant Paris into helping him look for Kit Mitchell (aka the Watermelon Man), their quest turns quickly murderous. Timid bookworm Paris gets caught in a deadly game of hide-and-seek whose players deal in lead, money and lies and include members of the fractured and fractious family of millionaire black businesswoman Winifred L. Fine. Neither Fearless nor Paris is sure who or what the various seekers are after—the missing Mitchell, a fabulous emerald pendant or a family diary—only that it's valued more than the lives lost trying to find it. A desire to aid his friend Fearless initially motivates Paris, but his journey becomes a voyage of self-discovery. While Paris possesses a narrative voice that's more literate and middle-class than that of the street-smart Easy, it should still resonate with Mosley's legions of fans. (July 2)FYI:Mosley's most recent Easy Rawlings novel is
      Bad Boy Brawly Brown (Forecasts, June 17, 2002).

    • Library Journal

      March 15, 2003
      Fearless and Paris are back, talked into looking for the sheriff who got talked into looking for the man who murdered the nephew of L.A.'s wealthiest woman.

      Copyright 2003 Library Journal, LLC Used with permission.

    • Booklist

      May 15, 2003
      There's a fun conceit in the name of Mosley's Fearless Jones series: its namesake is not the protagonist but the protagonist's best friend. Simplifying the stability-versus-chaos dichotomy of Easy Rawlins and his friend Mouse (heroes of Mosley's most popular series), narrator Paris Minton is the brains to Fearless' brawn. Even more interesting, the deadly ex-soldier Fearless is good-natured and generous, while Paris, a scrawny bookseller and self-admitted coward, can be abrasive and self-serving. In the second installment, a nighttime knock on the door begins a complicated caper that starts with a missing person and ends with a half-dozen parties fighting over a valuable book. "Fear Itself" is infused with Mosley's typical thoughtfulness and telling details, although it's not quite as successful as his previous mysteries. Readers who love Mosley for his politics, settings, and characters may feel stinted by the generous plot machinations, which unfold largely in dialogue and employ so many characters that we don't get to know many of them well. And there's a central paradox that's addressed but not solved: if Paris is such a scaredy-cat, why does he keep plunging further into danger? After a slow beginning, the ending just misses being great when a last twist softens what would have been a perfect noir judgment on Paris. Not Mosley's best, but still plenty good. (Reprinted with permission of Booklist, copyright 2003, American Library Association.)

    • Library Journal

      Starred review from June 15, 2003
      It is a rare thing for an author to release three books in a year's time and to have each outgun its predecessor. Coming on the heels of Bad Boy Brawley Brown (2002) and Six Easy Pieces (2003), Mosley vaults from his bread-and-butter "Easy Rawlins" mysteries to this second outing in the promising "Fearless Jones" series. Set in 1955 Los Angeles, this quick-paced thriller finds Fearless and compatriot Paris Minton, the story's narrator, searching for a friend's missing husband. That seemingly simple task rapidly escalates into a case of multiple murders, blackmail, and a quest for a priceless heirloom that makes this Mosley's answer to The Maltese Falcon. Minton, a used-book dealer by trade and the combo's brains, is refreshing in that the dangers typically ignored by steely nerved investigators petrify him. Fearless, the brawn-and heart-is as dangerous as Rawlins's sociopathic sidekick, Mouse, minus the homicidal tendencies. Fearless and Paris make a grand duo who can give Easy and Mouse a run for their money. You won't be able to turn the pages fast enough while hoping it never ends. Highly recommended. [Previewed in Prepub Alert, LJ 3/15/03.]-Michael Rogers, "Library Journal"

      Copyright 2003 Library Journal, LLC Used with permission.

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