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The Camera My Mother Gave Me

Audiobook
1 of 1 copy available
1 of 1 copy available

Disguised as a plain, brown memoir, [THIS IS ] A VOLUPTUOUS EXPLORATION OF SEXUALITY, AGING, THE FAILURES OF MODERN MEDICINE, ATTEMPTS AT SELF-KNOWLEDGE AND THE MEANING OF PAIN. From the author of the acclaimed memoir Girl Interrupted, The Camera my Mother Gave Me is Susanna Kaysen's exploration of what happens when sexual pleasure is replaced by pain. "When Eros goes away", she writes, "it's as if I'm colorblind. The world is gray. " But is this a problem of the body, or the mind? And can clinicians tease out the difference between the two? Spare, frank and highly original, The Camera My Mother Gave Me is an extraordinary investigation into the role sex plays in perceptions and our notions of ourselves, and what happens when erotic impulse meets the world of medicine.

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    • Publisher's Weekly

      July 30, 2001
      Eight years ago, Kaysen's affecting story of her two years in a psychiatric hospital, Girl, Interrupted, helped sparked the memoir craze and later became a Hollywood blockbuster. Now Kaysen, also an accomplished novelist (Asa, As I Knew Him; Far Afield), returns with this thin, disappointing chronicle of what happened when "something went wrong" with her vagina. The terse narrative chronicles her quest to determine the cause of and cure for disabling vaginal pain—vestibulitis, the medical term for a "sore spot" on the wall of her vagina. The most intriguing element is Kaysen's explosive relationship with an unnamed live-in boyfriend who, despite her pain, pressures her to have intercourse: "I want to fuck you, goddammit, he said, lunging at me, pushing his hand between my legs. I jumped out of bed. I was naked... I ran downstairs. All I could think of was to get away from the bed and from him and his fingers. I pressed my back against the wall in the living room and shook, from cold and the remnants of my desire." Later, sans boyfriend, Kaysen reflects—too briefly—on how she's changed as her desire for sex evaporates, concluding, "when eros goes away, life gets dull." Stingy with basic facts—the reader is left wondering how old she is and how she spends her days (writing? teaching?)—the memoir is admirable in its honesty and insights into medicine's limits. (Oct.)Forecast:Already the subject of a
      New York Times piece suggesting this "autopathography" may become the target of a backlash against such transgressive confessions, Kaysen's slight memoir will spark some controversy, but don't expect
      Girl, Interrupted–level sales.

    • AudioFile Magazine
      In this peculiar little book, the author of GIRL, INTERRUPTED explores her sexuality and sexual dysfunction graphically and in great detail. Kaysen focuses on one particularly bad relationship and the chronic physical pain she suffered throughout, her consultations with a parade of physicians, and advice from well-meaning friends. Read by the author, the unpolished performance has the feel of an intimate conversation with a close friend. Kaysen is at times even-keeled, hysterical, frustrated, and amused. And while she gets off to a slow start, the use of her own voice complements the intimacy of the subject matter. Anyone offended by strong language, however, should steer clear. H.L.S. (c) AudioFile 2002, Portland, Maine

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  • English

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