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May 31, 1999
In this riveting courtroom drama, Steve Harmon, a Harlem teenager involved in a murder, recounts his trial in the form of a movie script. The objectivity with which he records testimony and flashbacks of events leading up to the crime ("Steve is sitting on a bench, and James King sits with him. King is bleary-eyed and smokes a joint as he talks") belies the deep emotions Steve expresses in his prison journal: "I go to bed every night terrified out of my mind. I have nightmares whenever I close my eyes." Readers will not question the 16-year-old's relationship to the crime; that is established early in the novel. However, opinions will vary as to whether Steve deserves sympathy or rebuke. Myers (Scorpions; Somewhere in the Darkness) masterfully conveys the complexity of Steve's character by presenting numerous angles of his personality. From the prosecuting attorney's point of view, he is a "monster." According to a character witness, Steve's high-school film teacher, Steve is "an outstanding young man... talented, bright, and compassionate." The only person who does not offer a clear, pat appraisal of Steve is Steve himself. Even after the verdict is delivered he is not able to make sense of who he is: the final image of him filming himself as he gazes into a mirror, searching for his identity ("I want to look at myself a thousand times to look for one true image") will leave a powerful, haunting impression on young minds. This would make an ideal companion to Virginia Walter's Making Up Megaboy for an insightful look at a teenage suspect's lost innocence. Ages 12-up.
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