The Jane Austen Book Club

March 22, 2004
Fowler's fifth novel (after PEN/Faulkner award finalist Sister Noon
) features her trademark sly wit, quirky characters and digressive storytelling, but with a difference: this one is book club–ready, complete with mock-serious "questions for discussion" posed by the characters themselves. The plot here is deceptively slim: five women and one enigmatic man meet on a monthly basis to discuss the novels of Jane Austen, one at a time. As they debate Marianne's marriage to Brandon and whether or not Charlotte Lucas is gay, they reveal nothing so much as their own "private Austen(s)": to Jocelyn, an unmarried "control freak," the author is the consummate matchmaker; to solitary Prudie, she's the supreme ironist; to the lesbian Allegra, she's the disingenuous defender of the social caste system, etc. The book club's conversation is variously astute, petty, obvious and funny, but no one stays with it: the characters nibble high-calorie desserts, sip margaritas and drift off into personal reveries. Like Austen, Fowler is a subversive wit and a wise observer of human interaction of all stripes ("All parents wanted an impossible life for their children—happy beginning, happy middle, happy ending. No plot of any kind"). She's also an enthusiastic consumer of popular culture, offsetting the heady literary chat with references to Sex and the City
, Linux and "a rug that many of us recognized from the Sundance catalog." Though the 21 pages of quotations from Austen's family, friends and critics seems excessive, the novelty of Fowler's package should attract significant numbers of book club members, not to mention the legions of Janeites craving good company and happy endings. Agent, Wendy Weil. BOMC, Doubleday Book Club, Literary Guild featured alternate.

Starred review from June 7, 2004
With its many section breaks and point-of-view shifts, Fowler's newest book (following Sister Noon
) poses significant challenges for a single narrator. But stage actress Schraf overcomes these obstacles with ease, her voice taking on just a touch of haughtiness for the chapters told from the "we" perspective and then switching back to an unassuming tone for the third-person sections. It may take listeners a short while to grasp the story's structure, but once they do, they'll be hopelessly snared by this witty look at the lives and loves of six people, all members of Central Valley, California's "all-Jane-Austen-all-the-time book club." As the members discuss Austen's stance on marriage, social status and love, the narrative meanders, touching on defining moments in the characters' lives and then drifting back to describe their current dilemmas: single, middle-aged Jocelyn has never been in love; French teacher Prudie can't stop thinking about men other than her husband; chatty Bernadette has decided to "let herself go"; warm-hearted Sylvia still loves her soon-to-be-ex-husband; emotional Allegra has left her girlfriend; and sci-fi aficionado Grigg is infatuated with someone who may not share his affection. Through subtle alterations of tone and inflection, Schraf neatly conveys the emotions and idiosyncrasies of each character, from Prudie's impossibly pretentious French asides to Bernadette's airy, endless storytelling. Playful and intelligent, this audiobook embodies the best of both the written and aural worlds. Simultaneous release with the Putnam hardcover (Forecasts, Mar. 22).